To call the dance “collegiate shag” would not have been common during the swing era the addition of the word “collegiate” was supposedly a marketing ploy to attract college-age dancers to certain studios and dance halls. Collegiate Shag typically refers to a kind of double shag that is believed to have originated in New York during the 1930s.Balboa is frequently danced to fast jazz (usually anything from 180 to 320 bpm beats per minute), though many like to Balboa to slower (170-190 bpm) tempos. ![]() While most dancers differentiate between pure Balboa and Bal-Swing, both are considered to be part of the dance. A library of open figures, called Bal-Swing, evolved from LA Swing, which was another Southern California dance that was a contemporary of Balboa. A product of Southern California’s crowded ballrooms, Balboa (or “Bal”) is primarily danced in close embrace. Balboa is an 8-count dance that emphasizes a strong partner connection and quick footwork.It has been danced to almost every conceivable style of music with blues or jazz rhythm (with the exception of jazz waltzes), as well as non-traditional styles of music such as hip hop. It is characterized by an 8-count circular basic or “swing out” and has an emphasis on improvisation and the ability to easily adapt to include other steps in 8-count and 6-count rhythms. Lindy Hop evolved in the late 1920s and early 1930s out of Partnered Charleston.A strong tradition of social and competitive boogie woogie and rock’n’roll in Europe add these dances to their local swing dance cultures. This group is often extended to include West Coast Swing, East Coast Swing, Hand Dancing, Jive, Rock and Roll, Modern Jive, and other dances developing in the 1940s and later. In many scenes outside the United States the term “Swing dancing” is used to refer generically to one or all of the following swing era dances: Lindy Hop, Charleston (dance), Shag, and Balboa. Each local swing dance community has a distinct local culture and defines “swing dance” and the “appropriate” music to accompany it in different ways. Lindy Hop is often the most popular, though each city and country prefers various dances in different degrees. Today there are swing dance scenes in many countries throughout the world. Swing jazz features the syncopated timing associated with African American and West African music and dance - a combination of crotchets and quavers ( quarter notes and eighth notes) that many swing dancers interpret as ‘triple steps’ and ‘steps’ - yet also introduces changes in the way these rhythms were played - a distinct delay or ‘relaxed’ approach to timing. While the majority of swing dances began in African American communities as vernacular African American dances, a number of forms ( Balboa, for example) developed within Anglo-American or other ethnic group communities. ![]() The best known of these dances is the Lindy Hop, a popular partner dance that originated in Harlem and is still danced today. Location: You Should Be Dancing.“ Swing dance” is a group of dance that developed concurrently with the swing style of jazz music in the 1920s, ’30s ’40s and ’50s, although the earliest of these dance forms predate swing jazz music. **You do NOT need to have come to the previous workshop.īuild on a foundation of Fast Lindy Hop with more six-count moves and speed strategies.īuild on a foundation of Lifts and Air Step technique with partner-supported, low-risk trick steps, while learning the art of trick presentation.ĭive deeper into Fast Lindy with more fast Swing-out technique, jump turns, and other great steps for high speeds.ĭive deeper into Lift & Air Step technique with basic flips and drops, and learn essential spotter techniques for safe practice. **Dancers must know basic 8-count Swing outs & 6-count footwork. This workshop will be a companion workshop to the successful November workshop with new material in the same vein. **Back by popular demand, join award-winning power Lindy Hoppers Bobby White & Akemi Kinukawa for MORE up-tempo Lindy and tricks fundamentals. FAST Lindy Hop & AERIALS w/ Bobby White & Akemi Kinukawa
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